Search My Account Shopping Cart
Cinema Village

Q&As - News - Reviews

  • THE PROJECTIONIST Q&A with Director Abel Ferrara and Nicolas Nicolaou Daily (May 15 - May 21)

    THE PROJECTIONIST Q&A with Director Abel Ferrara and Nicolas Nicolaou Daily (May 15 - May 21)

    The film director converses with the proprietor of a Cinema complex in Queens about the 1970s era of film making and exhibition in New York City, when things were edgier and sleazier than they are in today's cleaned up scene.


    I can’t help but love a good revenge thriller, especially if the person seeking revenge is a woman. There is something so inherently satisfying about seeing a man who did a woman wrong get his just desserts. In A Good Woman Is Hard To Find, there is so much revenge to be had for our protagonist, Sarah (Sarah Bolger). She goes through the lion’s share of unenviable hard times. Before the outset of the film, her husband had been murdered, and the police never took much interest in the case. Sarah’s left to take care of her two children, Ben and Lucy, alone.
  • ‘The Gentlemen’ Review By Manohla Dargis (NY TIMES)

    ‘The Gentlemen’ Review By Manohla Dargis (NY TIMES)

    Guy Ritchie makes a very Guy Ritchie movie, this time with Matthew McConaughey, Hugh Grant and Charlie Hunnam. “The Gentlemen,” the latest from the excitable British director Guy Ritchie, gives you exactly what you might expect from a Guy Ritchie movie that hasn’t been constrained by studio decorousness (and ratings) or suavely tricked out with big-Hollywood cash. It’s talky and twisty, as usual, but also exuberantly violent (rather than PG-13 safe) and mischievously — or just aggressively — offensive (cue someone saying “Chinaman”). Also as usual, it’s stuffed with name actors who seem to be having a good time, which can be diverting when you’re not cringing. As is often the case with Guy Ritchie, the dudes far outnumber the women, here by roughly six to one.
  • SUNKEN ROADS DAILY Q&As after 3:00pm & 6:45pm shows

    SUNKEN ROADS DAILY Q&As after 3:00pm & 6:45pm shows

    DAILY Q&As after 3:00pm & 6:45pm shows "Sunken Roads: Three Generations After D-Day" tells a story of inter-generational friendship, offering a new perspective on D-Day by presenting the memories of 90-year-old men through the eyes of a 20-year-old woman. The film follows Charlotte, a young woman who joins eight D-Day veterans on a road trip to retrace their steps from World War II. The veterans come to see Charlotte as a granddaughter, trusting her with their stories and confronting the trauma that still haunts them 70 years after the war.
  • The Workers Unite Film Festival is a celebration of Global Labor Solidarity.

    The Workers Unite Film Festival is a celebration of Global Labor Solidarity.

    The Workers Unite Film Festival aims to feature student and professional films from the United States and around the world. These films highlight and publicize the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice. We hope to illuminate, educate and motivate audiences to take action. In these last few years, unprecedented attacks have been launched against unions and workers’ federally mandated rights to organize, by well-funded corporate lobbies such as ALEC. Despite these well organized campaigns, workers continue to courageously challenge these attacks by raising their voices with determination and with unity.


    New York Shorts International Film Festival is one of the largest showcases of short films in North America. Featuring a wide spectrum of film genres from emerging to established filmmakers around the world. New York Shorts has become a career stepping stone, establishing a tradition of discovering and promoting filmmakers who have gone on to be Academy Awards Nominees. NY Shorts offers short-form filmmakers an ideal platform to screen their film and gain recognition in the heart of New York City. In 2012 NY Shorts premiered Ricky Gervais ‘Derek”, which became a popular British television show picked up by Netflix. NY Shorts events include receptions, as well as workshops with industry experts and top filmmaking professionals sharing their practical advice to attending filmmakers. The heart of the festival is the quality and scope of extraordinary film programming to enthusiastic audiences in the vibrant filmmaking enclave of New York City. NY Shorts feels that short-form cinema and its creators should have their own premiere film festival in New York deserving similar recognition given to the feature film and its creators.


    The 14th annual Manhattan Film Festival will again be hosted at the beloved Cinema Village. MFF will screen 14 consecutive days in the legendary New York City theater. All selected filmmakers will be honored with a coveted commercial screening and will receive four filmmaker passes. Each pass includes invites to the Press & Industry Preview Party as well as the Awards Ceremony. Manhattan Film Festival is covered by local, national, and international media outlets. Past coverage includes The Hollywood Reporter, Variety, Good Morning America, The New York Times, as well as international outlets such as The Sun, BBC, and The Guardian. The festival has been named both “25 Film Festivals Worth the Entry Fee” and “The Coolest Film Festivals in the World” by MovieMaker Magazine. Director Jamison M. LoCascio says “The Manhattan Film Festival is one the best film festivals on the East coast. It is a festival about films and filmmakers-they just really care. The prestigious New York City environment mixed with the caring down to earth nature of the festival coordinators make this Fest a Filmmaker best possible partner-don't miss out on it or the great community you can be a part of at MFF.”


    The WCFF attracts thousands of attendees from the conservation, education, and wildlife film and travel industries. They discuss current issues facing the global biodiversity and the wildlife film industry, negotiate business opportunities, showcase products and services and screen films. People attend from all over the world and have included representatives from NatGeoWild, Bayerischer Rundfunk (BR), Discovery Communications, NATURE, National Geographic, PBS, Smithsonian Channel as well as wildlife filmmakers, distributors, producers and newcomers to the industry. The Wildlife Conservation Film Festival is a must-attend event for thought-leaders in biodiversity, film and major conservation organizations.
  • Film Review: Miss Fisher and the Crypt of Tears is one for the fans

    Film Review: Miss Fisher and the Crypt of Tears is one for the fans

    It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell. MEL CAMPBELL Thursday 27 February, 2020 It’s been a long time coming – including a successful crowdfunding campaign – but the creative team behind the cult favourite TV series Miss Fisher’s Murder Mysteries have at last brought their heroine, fabulous flapper sleuth the Hon. Miss Phryne Fisher (Essie Davis), to the big screen – and to the wide world beyond 1920s Melbourne.
  • COLOR OUT OF SPACE Review By Jeannette Catsoulis (NY TIMES)

    COLOR OUT OF SPACE Review By Jeannette Catsoulis (NY TIMES)

    ‘Color Out of Space’ Review: Bother From Another Planet Nicolas Cage and Joely Richardson face an evil shade of lilac in this inventive sci-fi horror film directed by Richard Stanley. “Color Out of Space,” apparently, is blindingly bright and magnificently malevolent. In this bonkers yet weirdly beautiful science fiction-horror hybrid (directed, with retro panache, by the great Richard Stanley), the light is a throbbing lilac and blood is Schiaparelli pink. And if I tell you that Nicolas Cage’s eyeballs will turn into ultraviolet high-beams, then you’ll know immediately if you’re in or out. Lovers of aberrant, gooey B-movies will be all in. Cage plays Nathan, a gentleman farmer who can show you how to whip up a cassoulet or milk an alpaca. Nathan’s main preoccupations are lingering daddy issues and a stalled sex life resulting from the recent illness of his wife, Theresa (Joely Richardson). But just as that particular dry spell is breaking, a meteorite crashes into their front yard, its crater releasing poisonous, multihued energy that alters DNA in disgustingly inventive ways. And when Theresa’s body begins a seeming attempt to suck the youngest of their three children back into the womb, an increasingly unhinged Nathan becomes convinced that only family solidarity will save them. Based on a 1929 short story by H.P. Lovecraft, “Color Out of Space” has more going on than just the squishy satisfactions of its old-school creature effects (reminiscent of Rob Bottin’s ingenious work on John Carpenter’s “The Thing”). Using shape-shifting as a messy metaphor for sickness and childhood trauma, Stanley and Cage leap so far over the psychological top that they never come back to earth. By the end, my own eyeballs hadn’t changed color, but they must have looked like pinwheels.
  • Impractical Jokers: The Movie is now playing

    Impractical Jokers: The Movie is now playing

    The story of a humiliating high school mishap from 1992 that sends the Impractical Jokers on the road competing in hidden-camera challenges for the chance to turn back the clock and redeem three of the four Jokers.


    The Postcard Killings Plot: What's the story? In The Postcard Killings, based on the James Patterson and Liza Marklund #1 New York Times bestselling novel, NY Detective Jacob Kanon’s (Jeffery Dean Morgan) world is destroyed when his daughter and son-in-law are brutally murdered in London. Unable to sit idly by and do nothing, Jacob travels to London get the answers he needs. As he learns of similar heinous murders happening across Europe - each preceded by a postcard sent to a local journalist - Jacob is in a race against time to stop the killings and find justice for his little girl.