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The film director converses with the proprietor of a Cinema complex in Queens about the 1970s era of film making and exhibition in New York City, when things were edgier and sleazier than they are in today's cleaned up scene.
A beautiful and poignant snapshot of a bygone age, littered with gorgeous odes to the method of storytelling Tarantino has perfected over the years. It’s Quentin’s movie about movies, made as only Tarantino can.
INTRIGO is the first part of a crime trilogy from Swedish beststelling author Håkan Nesser that will be released in cinemas and bookstores at around the same time. The first part is about writers, real and alleged murders, and the question of who ...
For siblings Kip (Josh Hartnett) and Josie (Margarita Levieva), dealing opioids isn’t just their family business—it’s their only means of survival. When a deal goes fatally wrong, Kip decides he wants out. But Kip’s attempt to escape his family’s legacy ignites a powder keg of violence and betrayal, imperiling Kip, Josie, and their younger brother, Boots (Owen Teague), in this searing crime-thriller that builds to a shattering conclusion.
Three disabled men go on a road trip to lose their virginity at a special-needs bordello in this ingratiating remake of a Belgian film. The rare remake that’s actually a slight improvement on its predecessor, Richard Wong’s “Come as You Are” translates Geoffrey Enthoven’s 2011 Belgian “Hasta la Vista” to middle America. Other changes are less substantial, but this seriocomedy has a less formulaic feel than the original while remaining a crowd-pleasing buddy pic-caper with a soft-pedaled minority empowerment theme. Reception in real-world disabled communities may be somewhat muted by the casting of able-bodied actors in the lead roles. Nonetheless, it’s hard to entirely resist this loosely fact-inspired tale of three physically challenged men road-tripping to Montreal in order to lose their virginity at a “special needs” bordello.