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  • MANHATTAN FILM FESTIVAL Starts JUNE 16 for 1 WEEK

    MANHATTAN FILM FESTIVAL Starts JUNE 16 for 1 WEEK

    Founded by two independent filmmakers who learned first-hand how hard it can be to find an independent film an audience, Manhattan Film Festival has become one of the largest, truly independent film festivals in the world. MFF has a seventeen-year history of fearless programming. Hosted in the media capital of the world, they have never backed down, and will always defend and promote the creative freedom of independent filmmakers. The festival will again be hosted at Cinema Village just steps from Union Square. The famous Cinema Village marquee has been featured in film and television productions including Martin Scorsese’s “The Departed” and David Chase’s “The Sopranos.” MFF has been named by MovieMaker Magazine as one of the “Coolest Film Festivals in the World,” “25 Film Festivals Worth the Entry Fee," and "Top 100 Best Reviewed" on FilmFreeway!
  •  African Diaspora International Film Festival

    African Diaspora International Film Festival

    Welcome to the world of the African Diaspora International Film Festival (ADIFF). In our reality, people from diverse races, nationalities and backgrounds come together to enjoy important cinematic works of creativity, intellectual expansion, identity, and equality. In this world there are no boundaries around people because they are embraced in a universal understanding of humanity. This is the element of commonality that weaves through this annual event of images from Africa and the African Diaspora.
  • BIG APPLE FILM FESTIVAL 2023 (November 3 - November 9)

    BIG APPLE FILM FESTIVAL 2023 (November 3 - November 9)

    The Big Apple Film Festival is dedicated to showcasing and promoting the highest quality films from the New York City independent film community, as well as additional specially selected films from across the country and around the world. Additionally, the festival is proud to honor a variety of New York City based filmmakers, writers, actors and artists who have played an influential role in the growth of independent filmmaking in the Big Apple. Each season, BAFF presents awards in a various categories in filmmaking and screenwriting.
  • SR Socially Relevant Film Festival New York 3/18 - 3/20

    SR Socially Relevant Film Festival New York 3/18 - 3/20

    The10th edition SR Socially Relevant™ Film Festival NY is a film festival that focuses exclusively on socially relevant human interest stories that raise awareness of social problems by offering positive solutions through the powerful medium of cinema.
  • NEW YORK INDIE SHORTS AWARDS 2023 (9/29 - 10/5)

    NEW YORK INDIE SHORTS AWARDS 2023 (9/29 - 10/5)

    New York Indie Shorts Awards presents one of the biggest shortfilm live event of the season, with 100 films, masterclasses and great networking possibilities in the heart of New York. Our Live Screening Event in the vibrant city of New York is held at the amazing CINEMA VILLAGE, at 22E 12th St, New York.
  • NEW YORK SHORT FILM FESTIVAL 2023 Starts November 10

    NEW YORK SHORT FILM FESTIVAL 2023 Starts November 10

    We at NYSFF are preparing for a fantastic festival of independent short filmmaking. We’ll be showcasing short films from around the world on Nov 10-16, 2023 at Manhattan’s best-loved independent cinema -- the Cinema Village.
  • NEW YORK SHORTS INTERNATIONAL FILM FESTIVAL (10/13 - 10/19)

    NEW YORK SHORTS INTERNATIONAL FILM FESTIVAL (10/13 - 10/19)

    New York Shorts International Film Festival is one of the largest showcases of short films in North America. Featuring a wide spectrum of film genres from emerging to established filmmakers around the world. New York Shorts has become a career stepping stone, establishing a tradition of discovering and promoting filmmakers who have gone on to be Academy Awards Nominees. NY Shorts offers short-form filmmakers an ideal platform to screen their film and gain recognition in the heart of New York City. In 2012 NY Shorts premiered Ricky Gervais ‘Derek”, which became a popular British television show picked up by Netflix. NY Shorts events include receptions, as well as workshops with industry experts and top filmmaking professionals sharing their practical advice to attending filmmakers. The heart of the festival is the quality and scope of extraordinary film programming to enthusiastic audiences in the vibrant filmmaking enclave of New York City. NY Shorts feels that short-form cinema and its creators should have their own premiere film festival in New York deserving similar recognition given to the feature film and its creators.
  • WORKERS UNITE! FILM FESTIVAL 2023 (October 27 - November 2)

    WORKERS UNITE! FILM FESTIVAL 2023 (October 27 - November 2)

    The Workers Unite Film Festival is a celebration of Global Labor Solidarity. The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice. WUFF brings together activists, academics, and filmmakers of all ages and backgrounds for a celebration of social justice and the arts. Through dozens of documentary screenings, community forums, and interactive events across New York City, the festival provides working people with a platform to tell their stories while leading a movement for meaningful change. In recent years, we've incorporated theater production, live music, and poetry/spoken word nights. We are the largest worker solidarity themed film festival in the nation and the only one in NYC, with the full support of NYC Council Speaker Adrienne E. Adams, NYC Central Labor Council, National & New York State AFL-CIO, IBEW Local 3, PEF, 1199SEIU, The Puffin Foundation, The NY Labor History Association, UA Local 1 Plumbers, UFT, NYSNA, NY District Council of Carpenters, RWDSU, Workers United NY & NJ, and many more.
  • The 16th Annual IMAGINE SCIENCE FILM FESTIVAL at Cinema Village (Oct 20 - Oct 26)

    The 16th Annual IMAGINE SCIENCE FILM FESTIVAL at Cinema Village (Oct 20 - Oct 26)

    This year's Imagine Science Film Festival will be referred to hereon as the Science New Wave Festival (SNW). Our SNW XVI lineup will be announced in late September 2023. Our goal is to celebrate films where scientific pursuit is free to co-exist and blend freely across disciplines and cultures. From documentary to fiction to data, we hope to always challenge the way you understand, interpret and appreciate scientific ideas and perspectives edition. imaginesciencefilms.org  
  • 5Lbs of Pressure Q&A Friday March 8th 8:15pm show

    5Lbs of Pressure Q&A Friday March 8th 8:15pm show

    Q&A Friday March 8th 8:15pm show with Writer/Director Phil Allocco, Producers Isen Robbins, Steve Carr and Star Zac Adams.
  • THE SWEET EAST Q&A Friday February 2 after 8:20pm show

    THE SWEET EAST Q&A Friday February 2 after 8:20pm show

    Q&A Friday February 2nd after 8:20pm show, Writer Nick Pinkerton moderating a conversation with the crew including Gaffer Danny April, Costume Designer Holly McClintock, and Hair and Makeup Artist Emily Schubert.
  • Bad Faith VARIETY REVIEW

    Bad Faith VARIETY REVIEW

    Christian Nationalism’s War on Democracy’ Review: A Scary Look at the Potential Soldiers of a Second Trump Reign. The followers of Christian Nationalism want a theocracy. Stephen Ujlaki and Christopher Jacob Jones's chilling film suggests that another Trump presidency could help them get it. “Bad Faith: Christian Nationalism’s War on Democracy” is the scariest film I’ve seen in a long time. It’s a documentary that explores the rise of Christian Nationalism, and much of what it shows you, about the mutation of the Christian Right into a movement that has openly abandoned any loyalty to democracy, has been covered in the mass media in recent years. But the film’s directors, Stephen Ujlaki and Chris Jones, go deep into the roots of this movement, and what’s new and disquieting is how the current presidential race changes everything. Viewed against the looming possibility of Donald Trump’s re-election (a scenario that most liberals I know believe is unlikely; I think they may be seriously deluded), the rise of Christian Nationalism takes on a whole new meaning. In 2017, Trump, once he took the reins of power, was constrained — by the other branches of government, and by the rule of law. He didn’t become the explicitly, committedly anti-democratic figure he is now until the 2020 election, when his declaration that he was actually the winner, and that Joe Biden had stolen the election, became the new cornerstone of his ideology. In the intervening period, Trump has been setting himself up to rule the United States as an authoritarian leader, and that meshes perfectly with the goals of Christian Nationalism, a movement that’s built around the dream of transforming America into a theocracy: a Christian nation ruled by a higher power than the Constitution — that is, by the will of God, as interpreted by his white Christian followers. The Christian Nationalist movement was the driving force behind the January 6 insurrection, and what we saw there was a preview of their ideals and methods: a frothing hostility toward the U.S. government, coupled with the willingness to use violence. Russell Moore, the editor of Christianity Today, talks about how the new wave of Christianity is “a church growth movement, but for angry people. A sense of theatrical anger feels, to some, like depth of conviction.” Yet even on Jan. 6, these “rebels,” participating in their own form of action-movie cosplay, were, like Trump himself, at least somewhat constrained. What “Bad Faith” captures is that Christian Nationalists now have the potential to be the shock troops in a second and far more threatening Trump presidency. The alliance between Trump and Christian Nationalism is a profound one. Progressives tend to be focused, to the point of obsession, on the hypocrisy of the alliance — the idea that men and women who are supposedly devoted to the teachings of Jesus Christ could rally behind a sinner and law-breaker like Trump, who seems the incarnation of everything they should be against. The documentary fills in their longstanding justification: that Trump is seen as a modern-day version of King Cyrus, a pagan who God used as a tool to help the people. According to this mode of opportunistic logic, Trump doesn’t need to be a pious Christian; his very recklessness makes him part of a grander design. The Christian Nationalists view Trump much as his disgruntled base of working-class nihilist supporters have always viewed him — as a kind of holy wrecking ball. But, of course, that’s just the rationalization. “Bad Faith” captures the intricacy with which Trump, like certain Republicans before him, has struck a deal with the Christian Right that benefits both parties. In exchange for their support in 2016, he agreed to back a slate of judicial appointees to their liking, and to come over to their side on abortion. Trump’s victory in 2016, like Reagan’s in 1980, was sealed by the support of the Christian Right. But what he’s promising them this time is the very destruction of the American system that they have long sought. The most chilling aspect of “Bad Faith” is that, in tracing the roots of the Christian Right, the movie colors in how the dream of theocracy has been the movement’s underlying motivation from almost the start. In 1980, when the so-called Moral Majority came into existence, its leader, Jerry Falwell, got all the attention. (A corrupt quirk of the movement is that as televangelists like Falwell, Pat Robertson, and, later on, Joel Osteen became rich and famous, their wealth was presented as evidence that God had chosen them to lead.) But Falwell, despite the headlines he grabbed, wasn’t the visionary organizer of the Moral Majority. That was Paul Weyrich, the owlish conservative religious activist who founded the hugely influential Council for National Policy, which spearheaded the structural fusion of Christianity and right-wing politics. He’s the one who went to Falwell and Robertson and collated their lists of supporters into a Christian political machine that could become larger than the sum of its parts. The machine encompassed a network of 72,000 preachers, it employed sophisticated methods of micro-targeting, and its impetus was to transform Evangelical Christianity into a movement that was fundamentally political. The G.O.P. became “God’s own party,” and the election of Reagan was the Evangelicals’ first victory. We see a clip of Reagan saying how he plans to “make America great again,” which is the tip of the iceberg of how much the Trump playbook got from him. Weyrich was a kind of Steve Bannon figure, the ideological bomb-thrower behind the scenes. He wrote a manifesto that calls for the destruction of the government, with tactics that include guerrilla warfare. From the start, he stoked the idea of a culture war, and maybe a civil war, for what the future of America would be, with the battle cry echoing through his manifesto (“Our strategy will be to bleed this culture dry,” “Make no mistake about it: We are talking about Christianizing America,” “We will weaken and destroy the existing institutions”). But 15 years ago, all of that sounded like crackpot raving. It’s now the cutting edge of the mainstream Republican Party. Randall Balmer, the Ivy League historian of American religion who wrote the book “Bad Faith,” is interviewed in the documentary, and he makes a fascinating point: that there’s a mythology that the Christian Right was first galvanized, in 1973, by Roe v. Wade — but that, in fact, that’s not true. Jerry Falwell didn’t deliver his first anti-abortion sermon until 1978. According to Balmer, the moment that galvanized the Christian Right was the 1971 lower-court ruling on school desegregation that held that any institution that engages in racial discrimination or segregation is not, by definition, a charitable institution, and therefore has no claim to tax-exempt status. This had an incendiary effect. Churches like Jerry Falwell’s were not integrated and didn’t want to be; yet they also wanted their tax-exempt status. It was this law that touched off the anti-government underpinnings of the Christian Right, much as the sieges of Ruby Ridge and Waco became the seeds of the alt-right. And it sealed the notion that Christian Nationalism and White Nationalism were joined at the hip, a union that went back to the historical fusion of the two in the Ku Klux Klan’s brand of Christian terrorism. “Bad Faith” makes a powerful case that Christian Nationalism is built on a lie: the shibboleth that America was originally established as a “Christian nation.” It’s true to say that the Founders drew on the moral traditions of Judeo-Christian culture. Yet the freedom of religion in the First Amendment was put there precisely as a guard against religious tyranny. It was, at the time, a radical idea: that the people would determine how — and what God — they wanted to worship. In truth, Christian Nationalism undermines not only the freedoms enshrined by the Constitution but the very concept of free will that’s at the heart of Christian theology. You can’t choose to be a follower of Christ if that belief is imposed on you. Yet that’s the society that Christian Nationalists want. According to the film, those who are either members of this movement or in sympathy with it constitute nearly a third of all Americans. If that’s true, it’s a daunting number. Yet even as the Christian Nationalists speak as true believers, they represent a politics of money and corruption. It was in the Reagan era that Paul Weyrich first struck a deal with oil and gas billionaires like the Koch brothers. In exchange for their support, his movement would make the case for eliminating corporate taxes and regulations. That fits right into the Trump agenda, which has always been a mix of corporate tax breaks, demagogic rabble-rousing, and de-regulation. If the Christian Nationalists prove to be instrumental in sweeping Trump back into office, he will owe them big time. How convenient that their goals are now perfectly in sync: to treat democracy itself as the threat that must be controlled and destroyed. What we’re seeing is a deal with the devil, though in this case it’s hard to say whether the most dangerous entity is Trump himself or the fire-breathing Christian totalitarianism he’s in bed with.